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But Snyder, Riefenstahl, and Owens all have the same problem in Race: they're being flattened and idealized. She makes for a sparkling presence in a male-dominated film. And the film is surprisingly sympathetic to German filmmaker Leni Riefenstahl, played by Game of Thrones' Carice van Houten as a principled, fearless artist covertly resisting the Nazi agenda. Sudeikis brings his comic timing and an intriguing combination of ego and humility to his role. The training montages crackle with a lively, cheeky energy. There are exceptions: the long, unbroken shot when Owens first emerges into the Berlin stadium has an immediacy and craft that the rest of the film lacks. Relying on the thrill of the running scenes, on what Owens accomplishes, lets Race come by its uplift through action, instead of big speeches.Д«ut director Stephen Hopkins often blunts the impact by giving the film a fine prestige gloss, a stately remove that makes it easier to see it as history, rather than the raw echo of the present that Selma so recently presented. Owens' story is so based in physical, visible action that it lets the writers explain his life through what he does, not through some apocryphal moment that defines what he thinks. Many recent biopics have focused on one meaningful point in their subjects' past, using it as a lens to explain everything in that person's. Still, Shrapnel and Waterhouse commendably resist the urge to try to cover Owens' life from birth to death, or to find a neat, pat moral through-line that explains him. The confrontations are suitable for riling up the blood, but only enough to create a sense of victory when Owens overcomes. The prejudice Owens faced throughout his life is reduced to a few minor incidents where other athletes call him predictable names, or where Owens, in spite of his fame, remains subject to his era's racist American laws and policies. The childhood incident where his mother removed a fibrous lump from his chest in a messy bit of home surgery was apparently too juicy not to mention -В but they can't find any natural way to bring it up, so they just have his mother recite Jesse's history to him while saying goodbye. Screenwriters Joe Shrapnel and Anna Waterhouse work a little too hard to cram some of the more incredible aspects of Owens' story into their script. Owens' achievements are shown through action, not speeches Snyder's unconventional training tactics and Owens' talents and willingness to work hard quickly become a potent combination, taking Owens into the record books, and then off to Germany to compete for his country. His coach, Larry Snyder (Jason Sudeikis, acquitting himself comfortably in his first dramatic role), is a former OSU track star who has returned to his alma mater after enduring his own Olympic failures. Race starts in 1933, with Owens heading to college at Ohio State University, where his stellar track and field record precedes him. Siding against Owens literally means siding with Nazis. Its racial-diversity message is so broad and non-confrontational that it's hard to imagine people protesting or resisting it.

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But it's a feel-good movie with nothing to offer cynics. He's presented as the sort of humble saint whose success, at least in this palatably packaged version of his life story, suggests a cosmic justice for the downtrodden. The film posits Owens not just as an all-time great athlete and record-setting Olympic champion who crossed racial barriers to defy Adolf Hitler's Aryan agenda for the 1936 Berlin Olympics. He brings intensity to a serious movie about overcoming hardship, but not so much intensity as to court controversy or come off as - heaven forbid - angry. Its star, Stephan James, is precisely the kind of actor the Academy loves to respect. Race is exactly the kind of film the Academy loves to honor: bland, uplifting, respectable, engaged with historical social issues, but not too controversial or directly tied to the present. Given all the the talk right now about representation in the Oscars, it seems painfully perverse that the Jesse Owens biopic Race is coming out a couple of months too late to qualify for this year's awards.